Beneath the Barbed
Wire Moon
i.m. George Melly
Because the elephant only
has one wing
he
cannot live with the other specially chosen ones
in the garden of miracles
and the man who feeds the ant eater is no longer allowed
to tell stories about wonder and wounds and thunder
and we are all wondering if
there is such a thing as
a left handed umbrella;
none of these things matter
of course
when
your entire life can be dedicated to changing the lightbulbs
on the Eiffel Tower
or sitting in the hotel at Cromer as Albert Einstein arrives to think
and along the coast there
are six churches that will gradually slip into
the sea and for years people will say that they can still hear the bells,
or should we sit up all night with George
Melly phoning people who
have all their life dreaded this event?
If you are in charge of the lightbulb situation at the Eiffel Tower
just what is it that keeps you going,beyond history and basic pay
and what may be said of you
when you die;does it switch the girlfriend
on,the desk job off,do you ever get a shock? And when the voice on the
phone asks you to share a
moment of ecstasy do you reach for the pills
or call for mummy to tell you what to do with the poetry that will at
any moment stagger into your room with its unique propositions?
And all this time somebody has been inventing the automatic hat,
the everlasting raddish,films without endings,the poem
that writes itself
and somewhere in Texas in a gentle afternoon an old lady,between
ghosts and invasions and dead
rivers and skipping songs and dread,
invents barbed wire,enough to compound the world,enough to keep out
suicidal lovers and those who have never read Tolstoy
and keep in the
inventors
of soliloquies and grass and collapsing deckchairs. Hey !
The
Tempo of Trumpets for Malcolm Arnold
In
winter Cornwall like a knuckle
ready to thwack,box,change the shape
of your face and other things such as
stone angels,harbours,hunched hedges;
kettle drums,castanets,dark laugh
of the tuba and play the spoons if
you must,you must,you must.
Tap,tap on the ice of the
mind,
the wind
spilling gulls and even the
dead do their dancing between
circles of stone and the distant
note of a trumpet calling you
from a freezing tide.Wake up!
In May when they have danced
in and out of lanes,cottages,yards,
old people’s homes,the bigger pubs,
the giant hotel,the school playground,
the posh woman’s patio they slide
towards the bends of evening,the sky
staggering with planets and
the poets put
down
hot pints and talk of tirades and
how to dance with words and the way
that a phrase can spin into wisdom if
that is what you want a poem to do;
the tide still high in the mind and a
trumpet calling across the distant wood.
September sunrise always a surprise
and skipping songs from the
playground;
how
do you make a whisper of a hymn
and why not whistle at a friend’s funeral?
I heard the voice of James Turner telling
us about ghosts and weeds and Holy Wells.
He was standing in the orchard and lighting
his pipe and then I remembered
that he too
was
dead. What does he say to the angels and
how do you set a field to music? Fill it with dancers;
the vicar and the vicar’s wife and the ginger- haired
postman who knows what every
letter does not say,
who sometimes plays his trumpet to silence the rooks.
If you play your trumpet on a Sunday you will be
turned into stone. The stained glass boy blows his
trumpet still;you can hear it in your head
for the rest
of
your life. How many tides does it take to flood the
harbour now;the bookshop,the barber’s,the Gentlemen’s
Outfitters? We saw PC Williams rowing past at
three a.m.
What
is the sound of a dead trumpet and when you bury it
cover the place with moss and stars. The music that you made
still cascades;sometimes it is a bit of a whistle,
or when the sun
marches
through the door, or when a carol coils into Advent and
we were beginning to dream as the afternoon gently mosaics into
evening, or there is sea sway on the radio, or
when we catch you
again
at the Albert Hall reaching into the flames of bravura brass.
Some Words Say It Before It Begins
i.m. Gael Turnbull
Because he could not say the
words
they became
water,boughs,stars;
and when he did not say them
they became a walk onto the Hills;
because the light is always
and the way that evenings
happen.
Copyright © David Grubb, 2008