N THE PROCESS
fresh-made with mozzarella
chalkboarded
by a rain-
smeared paving
I'm only to blame for believing
the wrong words
we stop
contain
paragraph all
the small featureless
things we
fear perhaps is too strong a word
the chip in the
mirror, crack
in the fabric of this
life pertains to possibilities
of what
things we cannot
perceive
the chalk marks splashed
and partially
de-written
PHENOMENOLOGY
Fast poetry
promotes shallow breathing
- Peter Riley
I
awkward as the way he
holds his book
his apparition
in the dark beyond
I was startled
by the sound of his
voice trails mark the dim
night, mere scratches
on the appearance of
red lights
individuated, numerable
in rejection
of the horizontal
blend into one near
straight line
pointing directly
anxiety, love
& all those personal affects
I is the self
a body dreamed
impertinent
as a pebble
recessive golem
recusant ape
II
inconsequential
markers
of a seamless
faith seem
less than
some windblown
particles particularly
among these casually
strewn stones
mono
liths
in an upland
escape
definition &
consequence
behind
carious
shutters angles
in offkey
curious
against
lurid sky
light gutter
pipes &
rust
stain drape
stucco coming
unstuck
petrified anguish, ossified
decay
what
torment
had
the mason artisan
in mind
greened
with lichen, roots
of airborne
herb in precarious
hold at point
of bird-
passed nutrient, a howl
but no
emetic capacity
III
failures
of registration
within the temporal smear
perception turns imperceptibly
to memory
the unreliable
archive
between clairvoyance
& reconstruction
a subjective sequence
of events, degraded
narrative
in phenomenal space
all deviations
are corruptions of the text
take pause for breath
between
the skeins of content
weft of conscience
thread of argumentative
response
a felt of dust
builds
up against
the needle
all the little sparkplug epiphanies
tugged out
held up
from your tongue
this is the life
but you don't mean
whatever you say
a shallow narrative
promotes fast
breathing
the illusion of
pleasure
her red hair
falling
across her face
IV
bread
& politics
junk food of a tired nation
loosely defined
by thought, culture, the gods
they do
not worship
but respect
the shapes of their windows
the way they write
their names
in the dust
of panes
take tea in glasses
perched upon stools of rare design
barely comprehensible to us who
pass
through other tunnels, lives
bled out in other
highways & on ledges
of high-rise cities called Despair
or mere Convention
stamped in the fabric
of the very thing I need
or duly wish for
the words
made in China
in a language that is not Chinese
V
in which things
explain
each other
not
themselves
these hands are those
of my elder sister
younger
mirror shows
my brother
much as he was
don't look away
it is
as if
but not
only of the
thing which
don't
look
away
a cup of coffee a landscape
swirled in mist
it makes you think
about this
there's
nothing
you can do
so this is how
the puzzle is
solved - you must
choose
where you put
your line
VI
junks & sampans on
an oversaturated sea
temples with tassles
tv in the back
room
speaks another language
a prayer perhaps
coercion of god
they'll take the words
right
out of your mouth
& use them against you
fact & fiction mingle, blood
seeping through the pages
Copyright © Aidan Semmens, 2009