Shadowtrain

Alan Baker
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Issues 1-14

DRIVING SONGS

 

**

 

possible worlds

revolve on the ring-road

between gear changes

and ferocious word-play

 

unprecedented steps

by the Bank of England

what time will I get home

to revive the economy

 

though he wonders

when he'll see

his family again, yet

the stars are grinning

 

in a speculative

but benevolent way,

watching his lonely progress

through the dancing traffic

 

**

 

roadworks on the M5

occasional sun,

the foreign secretary

being inflammatory

 

cows flashing

past, the day brightening,

thoughts straggling

the structure of the brain

 

how much petrol's left

and is desperately sorry

and happy by turns,

in limbo or the Elysian fields

 

in the green and pleasant

not one to spoil things,

but, of course,

there is no 'present moment'

 

**

 

I knew it was time

to stir; to set out

in midsomer seson

of high, green corn

 

to the slip-road

of the widened M1

in search of tree-dwellers

and traffic-calming measures

 

when my country

into which I had just

set foot, was set on

fire about mine ears,

 

when memory gave us

the elbow, it was

time to stir. It was

time for every man to stir

 

**

 

there's a ghost

of a narrative,

stalking all the cars,

sudden tail-lights

 

coming back

after visiting relatives

starlings in the dusk…

Israel vows

 

twisting, curling,

moving as one

in the red sunset…

to continue its offensive,

 

a huge swarm in the sky

as night falls

we won't raise

the white flag

 

 

**

 

Tel Aviv says it 'may'

have used white phosphorus

guardian angels, whirlwinds

the wrath of time

 

but only, and again

these men and women

struggled and sacrificed

and worked till

 

their hands were raw

so that we might live

a better this

is the new machine

 

swept on sheen of early,

clean morning, a bee

banging into the windscreen

trying to enter the world's reflection.

 

**

 

out on the road

in an effortless

lyrical, narrative impulse

here, and not-here

 

the stars climb more easily

than I do, than signals

from the war on terror,

the violence in the night sky

 

o open the window, can you see

"these elaborately constructed forms

so different from each other

and dependent on each

 

other in so complex a manner"

read all about it

among a glut of new works

on the great naturalist

 

**

 

the near explains the far

the drop is a small ocean

the wind is blowing

litter in little circles

 

and a woman is walking

down the road

with two small children,

past people waiting for a bus

 

I went to the woods

because I wished to live

deliberately / the litter

blows in circles

 

the wind in the trees

looks like a "dance of life",

a cliché, but that's how it looks

through the windscreen

 

**

 

apparently off-hand,

slip-shod or casual,

the bulletins crafted

from the finest propaganda

 

wave like trees

on the ridge,

presenting a vision

of England 's diaspora

 

adapted for us like

the slip-shod glow

of finest vision

20-20 prime-time

 

crafted casually

by revenue and region

the bottom-line laid

like a line of pentameter

 

**

 

The wind always blows

let it take whatever it can

of time, river traffic

in the sun, alone

 

among many, or

the story of a better life,

of morning

open to the city,

 

river traffic,

field of sky,

field of water,

field of, and city

 

we may call it

a book of shadows,

'quantitative easing'

last throw of the dice

 

**

 

traffic in the sun,

windy tower blocks, swaying

grasses on the edge of the road,

the voices of girls in thin dresses

 

drifting into the dusk

of the shortest day.

Travelodge is here

to make you feel better off.

 

Things can only get longer

for the waifs who stray

through the retail park

lights on 24/7

 

to the global window

opening on their lives.

I'd like en-suite bathroom,

food and beverage options.




Copyright © Alan Baker, 2009