The Sardine Tree
Part 5
1
by myth I mean
somehow like
personal marrow
an ancient Greek
stock with figs
or modern Catalan
tree
no-one has been hanged from
a tree is not from
the vegetable kingdom aches: a lost map of
it is something
human
yourself
a tree breathes
& listens to you
listening
it falls in love
with its buds as they turn to
you
into flowers &
its flowers as they
finger dusted
turn
into fruits
you grow outside of
it resists the
wind & loves you as you change your name
peeling a rusty season or two
I don’t think
of a stone as something dead it’s stock
a portable icon of vast process
basically what
I paint is this mythology this dripped idea
a dream allowed to dry
of course even
awake
some people are
something tree
baked grain
would I lie to
you?
wave in the
breeze
the light across
the skies
apricot pleats
swallows
blink
your eyes
2
in 1973 80
17
I discovered you
can burn the canvas
for light
& the stretcher by pouring petrol over them
& air shivers
& lighting
it
or by using a blowtorch
& roars
it’s not
hard to control the burning
sighs or
& you can get
some amazing textures blisters & pops
revealing a stream of lustre & enamel
here’s
caramelised
just a glimpse
(onion skin
of part of the
title of this one: wafted off the chopping
board
by no more than a silent sigh)
the glow of the moon lights the tracks of the snail
this was a myth
a shining direction
that didn’t
need matches
outside the door
evolution is better
than revolution discussion
but keep your flint
& matches
percussion
situations change
station road
3
the song of the vowels aeolian aerials
orgasm &
or a line of your
choosing
pain along the edge
it took only a
moment to make this line
quietly
but years of reflection
to grow the idea
in a town
or caravan
I hate the closed
line
the belt two sizes too small
I hate the frontier
unless I’m leaving
but most of all
I hate the constipated
yob˛
editorials about
expanded community alien
air
& how foreigners
are queuing up
inferior water
to rape your dog
job house granny suicide garlic capsule
ward school &
genetically modified
TV schedule
mad cow
surrealism led
beyond the formal
gym class
towards the heart
of poetry crossing
language’s fingers
the joy of discovering
what I’m doing touching
wood
as I’m doing
it
walking in a new location
jazz is such an
ancient art
responding to responses
I feel the meaning
growing unexpectedly
as I work out here
right at the end of my arm a slight draft
open window
the work must be
open to obscure forces
October darkness
& folk from
further east
over the A14
than Catalonia
& Dry Drayton
one way home
Australian fungus
a stained cork
is as far east
as you can get
as the earth turns
4
Dear Nina
I think of candles
I had the honour
of knowing Kandinsky abandoned mansions
after he left Nazi
Germany for Paris
in black & white films
painters politely
refused to see him badly dubbed soundtracks
the critics called
him a schoolteacher
sketched in dark bars
I
remember his small exhibitions
almost empty
on the boulevard
du Montparnasse
aching
at the end of Reverdy’s
famous North-South line with
those gouaches
touched me to the depths of my soul desperate
at last in a picture
you could listen to music
freedom
& read a great
poem
integrity
Kandinsky swang
desolation
fierce joy
sometimes his multi-coloured
skirt
visibly
swirled when he
stood still
glowing
& now it’s
raining through sunlight
forever
as the
yours sincerely
Earth
spins
Miró
gold
5
interviewer:
in attempting to
express dream
cheese
you realised that
conventional
rarely
dream imagery was
causes
no longer valid?
insomnia
Miró:
dairy
products
yes I escaped into the absolute
& the
I wanted my dots
to seem open
digestive
to the magnetic
force of the void
system
& I hallucinated
as well
are some
of the
interviewer:
less important
interfaces
The Concise Dictionary Of Surrealism between
calls you the ‘Sardine
Tree’ why
us
&
Miró:
the
universe
I wonder
take
fruit &
vegetables
especially
leeks
potatoes
& rhubarb
not
to
mention
the unspoken
words
imagining
6
I moved a few shrubs
to the other side
of the garden
I reworked some
old paintings
two prospered
during breaks in
the weather
another died
some take a lifetime
I can’t see the shape
some a little longer
as I am in it
the swallow dazzled by the flash
I bend its rays
of the red pupil
change gravity
used to be three
times the size
prune & lop
it was rolled &
tucked away
store
during the Occupation
force
then cut up to
make potato sacks
prick out
when I found it
again
thin
this was all that
was left
take
I added new elements
cuttings
to restore unity
replant
the shooting star
close the kitchen door
collapse of the
wave function cook eat drink
potato in its jacket
undress
a loss
age
without the restitution
make
of the seasons
love
Taken
from The Sardine Tree, Oyster Catcher Press, 2008
Copyright
© Peter Hughes, 2008
Notes on Contributors