Shadowtrain

Nathan Thompson
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ending up/ up ending

 

 

bartering slingshot for butterflies

spilling

             a whirring recurrent

 

as a child

I clipped barbed wire flying the garden

 

the initial road centre white line rip

 

for nude escape pure from motives

and warm-blooded misdirections

 

                                                     a calculus

of welling clouds and curious mandibles caught before

the machinations were complete

                                                    our trousers down around our graph paper

and little to report but love and the best intentions 

 

 

 

falling for you lola and the rest

 

 

cleaning up the city.

                                 hair cut priced punk’s.

self made man

                        priapic as a mushroom’s colourless

verved flicker of neon

                                     and nobody love. 

 

our dropped coinage pink with industry FTSE indexed under the table.

 

your picked up tab turned on its head at your feet. glazed. over.

 

 

you find

 

                                    such shells, miraculous

                                    hollowed out stones,

                                    and canisters of oil that have traveled.

 

 

 

Until the Freudian vet came by 

 

our cow grazed sadly in her old life earning splinters

on a gate post. hanging low inhaling at the past with big eyes

sketched and quaint steam at both ends.

                                                       expecting psychoanalysis

apparently turned her three stomachs and they’re not sure they agree (so much for gut feeling)

but we persevered and so did he

and a stern word about her father’s abusive behaviour now and then works her

across the cattle grid. with a good electric prod the analyst

reckons she stands a half chance at the tight-rope.

                                                                                so she’s better now

in a way, though she still looks sad when Freud said in his book

she should be over the moon if you’ll pardon the expression

 

standing at the gate as though she's longing for Tom Jones.

 

 

 

© Nathan Thompson, 2006